🗣️ What do we really know about Tom Mboya—and why does his assassination still remain unanswered?
In this episode, we sit down with Ngartia—writer, performer, and co-founder of Too Early For Birds—to revisit the life, assassination, and evolving legacy of Tom Mboya through the lens of theatre.
Mboya, the play first staged in 2019 and revived in 2024, isn’t just a tribute. It’s an excavation. We discuss what the team uncovered about Mboya’s political life, his assassination, and the forces around him—details that rarely make it into textbooks or public memory. What happens when theatre dares to tell a version of history that challenges the official narrative?
Ngartia walks us through the creative risks of staging Mboya’s story, the rigorous research behind it, and how current political unrest—from police brutality to tax protests—shaped the tone of the 2024 restaging.
We also trace the founding of Too Early For Birds, its bold voice in Kenyan storytelling, and why memory—especially of figures like Wangari Maathai, the Nyayo House Survivors, and Zarina Patel—remains central to their work.
🎭 And finally, we turn to art as activism. From the energy of maandamano (protests) to the government’s censorship of Echoes of War, a school play by Butere Girls, we reflect on theatre’s enduring role as a site of resistance and public dialogue. When the streets speak, the stage often reflects—and sometimes, it's silenced.
🧑🏽🏫 Echoes of the Classroom
Plus, in our new segment Echoes of the Classroom, we ask Ngartia a series of quick-fire questions about his high school experience—bringing in moments of high school horrors, unforgettable memories, and the early sparks of interest in theatre.
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